A close-up view of a rugged, layered sandstone cliff face. The rock is a mix of brown, yellow, and grey tones, showing signs of weathering and erosion with prominent horizontal bedding planes and deep vertical fissures. In the upper centre, the rock face forms a small recess or overhang with darker shadows, suggesting a small cave. To the left, the steep slope is topped by trees, whose trunks and branches are visible against a bright, overcast sky. The base of the rock face is covered in dead grasses, scattered leaves, and some green scrub.

Hobthrush Hall

High above the village of Over Silton, recent felling has exposed cliffs that rear up like the broken ramparts of some forgotten fortress, appropriately named The Scarrs. Here lies a cleft in the rock known as Hobthrush Hall. The locals call it a cave, though it feels more like the scar of something ancient and unsettled. Once, so they say, it was home to a goblin of uncommon spirit—a nimble creature said to leap with ease from his stony doorstep to the crown of Carlow Hill, half a mile across the valley1Grainge, William. The Vale of Mowbray: a historical and topographical account of Thirsk and its neighbourhood. Page 326. 1859..

A low-light image taken from inside a small cave, looking out toward a wooded area. The interior is dark and silhouetted, dominated by the rough, textured forms of the sandstone rock ceiling and walls. There are two main openings: one to the left, which is a smaller, distinct window-like opening letting in bright light, and a larger, main exit to the right. The view through the openings shows brightly lit trees and foliage. The ground just outside the cave entrance is a hard-packed bare earth with scattered debris, and the rock wall to the right of the exit shows some colouration, possibly mineral staining.
Inside, looking out.

Unlike the shadowy fiends said to haunt marsh and moor, Hob was a house-goblin of the old sort: a quiet helper, not a terror. His legend echoes those of Milton’s “drudging goblin,” who threshed corn by moonlight and vanished before dawn, leaving behind only the warmth of the hearth and the faint smell of toil.

Here in Over Silton, Hob attached himself to a man named Weighall, the keeper of the village inn and tenant of the land where Hobthrush Hall gapes still. Each night, while the villagers slept, the unseen hand of Hob would churn the cream set out for him, earning his simple reward—a generous slice of bread and butter, left by the hearth in gratitude. Morning always found the butter gone, the work done, and no sign of the spectral labourer.

A panoramic view from a wooded hillside, looking out over a rolling landscape. In the immediate foreground to the left is a steep, rocky outcrop with some exposed cliff face known as “The Scarrs” and tangled, dry undergrowth. Several thin, young birch trees, some with silver-white bark, grow up the slope. The centre-middle ground is dominated by a scattering of deciduous trees and scrub, showing early autumn colours of green, yellow, and brown. Beyond the immediate hill, the prominent, rounded Carlow Hill covered in dense green and amber trees rises slightly above the flat plain of the Vale of Mowbray. The background features vast, flat agricultural fields stretching to the horizon under a partially cloudy blue sky.
The Scarrs with Carlow Hill in the distance.

But gratitude is a fragile thing. One night, through forgetfulness or folly, Weighall failed to leave Hob his supper. Insulted by the omission, the goblin abandoned his post and was never seen again. The churn stood idle, the cream unworked, and the cave fell silent.

Today, Hobthrush Hall remains—lonely, protected by a tangle of thorn and bramble—a raw wound in the cliff where the wind still mutters of betrayal, and the rain keeps time with the memory of a spirit who turned his back on man.

 

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    Grainge, William. The Vale of Mowbray: a historical and topographical account of Thirsk and its neighbourhood. Page 326. 1859.

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