Inspired by Leo Fitzmauriceās installation at the Yorkshire Sculpture Park, this artist prefers the anonymity in the style of Banksy. Here, he/she has captured a sense of clarity that is underpinned by a playful confusion, the essence of a mundane and familiar object in a way that makes us reconsider our assumingĀ eyes. It is not clear to the many climbers of Odin’s hill whether the intent is for the installation to be permanent thereby adding to the entropy by re-shaping space and time.
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